![]() ![]() Mel Gibson has never been better in the role as a reluctant hero, and it doesn't feel ridiculous like it does in Beyond Thunderdome. This sequel is so action-packed and balls to the wall that it still feels like the freshest version of itself beyond all the imitators. So many other films and stories have pulled from The Road Warrior, that you would think it would feel old, but no. You already know what number one is going to be now, but I seriously considered putting this at the top spot since it never gets old. It really doesn't get much better than this. But, he eventually fights to defend a community against a ravenous gang of lunatics, led by the super imposing, Humungus. In this superior in every way sequel directed by George Miller (they're all directed by him), and starring Mel Gibson, and Kjell Nilsson as Lord Humungus, Max is a broken man who fights to survive and steals this world's most valuable commodity - gasoline - whenever he can. ![]() It’s fantastic to have Max Rockatansky back on the road, but it’s even better that his creator has done so with a greater purpose in mind.(Image credit: Warner Bros.) 2. George Miller has told a story that feels authentic to the world he’s created, but that also takes it in a new and fascinating direction. What’s more, it does so in a way that serves the story and doesn’t feel forced. Mad Max: Fury Road is a giddily entertaining film that sneaks in a progressive stance on women’s rights. The film frequently juxtaposes the difference between their compassionate, renewal-focused instincts, and Immortan Joe’s destructive excess. Mad max film series how to#They are tough, and know how to take care of themselves, but also represent their world’s best hope for change. The women of Fury Road are the ones who get most of the attention, and who are undeniably the heroes of the film. Mad max film series movie#Keeping all of that straight in a world that feels so different from our own isn’t easy to pull off - Avengers: Age of Ultron could barely manage it without the societal breakdown.īut this isn’t just a movie about brooding wanderers and spectacular car crashes. Fury Road is essentially a two-hour-laong car chase, but within it, the characters, their motivations and conflicts remain discernable and compelling. What’s also impressive is Miller’s ability to tell a clear story in the midst of non-stop action. One even serves as a wall of amps for a mutant guitarist whose instrument doubles as a flamethrower. The cars look like the results of a demolition derby in hell. Immortan Joe and his army are pale, cancer-ridden beings, kept alive by complex sets of tubes and tanks. The strongest parts of the Mad Max films have always been effects and production design, and it’s thrilling to see Miller working with a budget that fits the scope of his ambitions. Furiosa is also carrying a dangerous set of fellow escapees: five young women (Rosie Huntington-Whiteley, Zoe Kravitz, Riley Keough, Abbey Lee, and Courtney Eaton) whom Joe has been using as his personal sex slaves. Mad max film series driver#Captured for use as a walking blood transfusion for Joe’s warriors, Max escapes with Imperator Furiosa (Charlize Theron), the driver of one of Joe’s tanker truck War Rigs. The new film brings world-weary hero Max Rockatansky (played by Tom Hardy, taking over from Mel Gibson) to the Citadel, an oasis of sorts ruled by the tyrannical Immortan Joe (Hugh Keays-Byrne). Miller’s latest octane-fueled adventure is a movie with a lot on its mind in addition to the wild costumes, crazy vehicles, and mind-blowing effects. Finally, thirty years later, we have a new entry, Mad Max: Fury Road. It’s also a world filmgoers haven’t seen since the release of the third film in the series, Beyond Thunderdome, in 1985. It’s a place where gang leaders have cult followings, the noise of revving engines is ever constant, and characters have names like The Lord Humungus, Toecutter, and Toast the Knowing. The world of Mad Max is inventive, violent, and straight-up weird. The Australian director’s vision of a desert wasteland where warlords battle for fuel has been so influential that it remains the gold standard for many fans, and with good reason - the Mad Max films rank among the most bizarre imaginings of life after the fall of civilization. No movie has approached the post-apocalyptic genre quite as definitively as George Miller’s Mad Max series. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |